The Invisible speaks
You said you wanted to hear all of the
grotesquely fascinating details and clichés
Like the bright red inside of the earliest morning, so early
it’s almost still night
And the abysmal bed of wet and dirt,
so dirty it’s almost hard and then
her pure cunning, so bad it’s almost good
You wanted to hear of whacking
The fishnets catching putrid rejects
Their gutted dead eyes and shiny gills
and blackened holes
gasping, rubbing, clutching
But she
She told you of compulsion
because she forgot everything else
in the numbness under covers of skin
(she said it’s not really happening)
The time it took to wait and how
she always counted everything
so nothing bad could happen
(not really)
And she never could stop
the loneliness fading her
eyes with every new layer
make up and invisibility
(even there)
Home
Suddenly one night when the rain tattoos
the streets with unsealed meaning,
the skin remembers you like ink
How you were my home and how
your body was the house I lived in
This imaginary world comes crashing and
I’m a ghost chasing weight in words again-
A stone heavy enough to carry!
So I say it out loud like you made me,
I touch myself like you did but harder
And it comes undone, becomes clear:
You only exist in these fragments
But you never ever disappear,
and anyway
There are no homes here
I say it’s a disease to walk these streets
with pockets heavy of tales
and only mythical remedies
I say home is where I lay my stone
to rest it,
like a hat.
Acropolis
The burning bright skin of Acropolis
is raised heavenward and pocked
with marble pillars
on the wooded slopes of the nymphs
Zeus roaring seafoam laughter
carried up on his breath of salty winds
is eroding everything to dust
I carefully step into the blinding white ruins
on top of the hill. Lost in skeletal remnants
of everything that’s missing; Athena’s statue,
the baby I carried. Living, breathing Gods!
And I imagine rituals and past lives;
A priestess with golden snakes slithering up her sacred body
The man is under her on the rubble floor, she devours him
with flame like eyes and rituals from Egypt
In their image, a kiss for prayer, I lift it to the sky
Later that night, back in my room in Makrigianni district
on the vinyl sofa in Tony’s hotel, I make love to my husband
for the first time in months
And I can feel someone new take root and start growing
Even though I’m too wary to believe it
Erika Kamlert has previously been published in printed Swedish literary journals and anthologies and will be featured in the forthcoming in Ink, Sweat & Tears online. She has just started submitting poetry in English.