By Marisa Cimbal
You miss her.
You brushed her hair and
pulled it back. You gave her a hat
and made sure she wore gloves. You
bandaged her cuts and bruises and
removed grass from the skin torn by
cleats. You waved to her from the
bleachers, shorts so long and socks
so high, you could barely her knees.
She smiled at you, white chicklet teeth
peering out from her pink lips.
And then you blinked.
Where is my uniform? Can’t find the hairbands.
You knocked on her door, took deep breaths
and entered the room. Clothes strewn all
over the floor and draws opened. You
bit your lip and looked in her knapsack.
Searching for secrets, you found empty
water bottles, dirty socks, tampons and
Chapstick. You sneaked in an energy bar.
You kept talking, hoping for more than
one-word answers. If you asked her to put
the phone down, she glared at you. On the field,
she stood in formation among a sea of ponytails,
jumping in place, legs had springs. You did
not need to see the number on her shirt.
You could tell the minute you saw her tall,
lanky body move like a gazelle through the field.
A familiar voice spoke to her teammates, who has #12?
and yelled at the ref, that was offsides! You listened as
she dissected her performance but never said a word.
You knew better. You admired her and her courage.
When she took a shot, you closed your eyes and
whispered please go in, please go in, please go in.
You willed it to happen. You walked by those
same fields every day, saw formations with different numbers,
and heard unfamiliar voices. You wished you were
back in those bleachers, clapping, cheering
and hoping for a brief glimpse of that smirk and a quick
nod of the head. Then for a moment, you saw the gazelle
running across the field, she keeps running until we can’t see
her anymore.
Marisa Cimbal lives in Hoboken, New Jersey with her husband and dog, Elsa, and is the mother of twin daughters. She works in New York City in healthcare communications and is now fulfilling her dream of being a poet and a writer of nonfiction. Most recently, her work has appeared in Rat’s Ass Review, Sad Girls Diaries, The Ravens Perch and Humans of the World.
