By Kashiana Singh
Turning points
silverfish
darning holes
in language
doppelganger
the caesura between
death and I
repotting
I dig deep
into dirt
standing atop
a disemboweled earth
many limbed durga
moon shapes
remaking of
old habits
sleeping town
a window lights up
at dusk
Menopausal
the insect inside its amber, a womb
sharpness of tongue, an unleashing
weeping wisteria bleeds blue, fallen
petals on the fault lines of earth, skin
dry like an unplanned drought, eager
disciple of thick bodies, an offering
a jasmine string, braiding its petals
into wired tendrils of weathered hair
the knotted veins inside restless legs
blushed pores on a platter of cheeks
abandoned bodies, women etched in
pattern recognition of blood moons
seasons of stained reminders, hover
her gnarled skin a crepe like surface
sweating, cold, hot, cold, hot, hotter
each layer removed, then worn again
each piece of cloth raging, a carrying
her body always in transit, its ragged
shadow imperfect, its splintered face
a talisman, its chest an altar, arms up
in obeisance to a ripening moonlight
a hawk crying into dead air, a preying
a grandma orca whale, stops procreating too
tantrums only a symptom, for perseveration
elephants don’t experience menopause
the trepidation of reproductive waves shifting from one generation to another to another to another
when one door closes, it opens another portal, and the galaxy of womanhood revolves around itself
anthropomorphism
She lingered at the fringes of
her empty nest, tiny feathers
some grace left in place, this
when her baby died, pecking
at iridescent circles of breath
squawking louder than those
common coqui frog, feasting
I hear the pecking bird again
pecking at my window glass
I stammer in response to
my unstoppable heart, its
bruises a feathered pause
my grief a flourished sigh
holding an outstretched
hand, fingers gripping at
her beak, clicking, cluck
in mourning, I stay quiet
I peel at my crusted eyes
as magpie wings stutter
the dance of life, marvel
around the stone spot of
death, by habit, her flock
gathers, auditioning loud
for passerine’s song
I hear the pecking bird again
pecking at my window glass
she places some pulled grass
a wreath of denial inscribed
on the ringed grave, worship
is like lichen, circles of death
adorn the bodice of my town
When Kashiana is not writing, she lives to embody her TEDx talk theme of Work as Worship into her every day. She currently serves as Managing Editor for Poets Reading the News. Her chapbook Crushed Anthills by Yavanika Press is a journey through 10 cities. Her newest full-length collection, Woman by the Door was released in Feb 2022 with Apprentice House Press. Website – http://www.kashianasingh.com/
