By Sam Barbee
Ripples
I bait a hook, dunk it like a kiss. Plunk disperses a concentric splash. Each surge of the lake reminds any visitor the loch measures each splay or lap. What creature will break its water next? Frog hop or ducks’ paddle? Mallards glide confident, and rebuke the clouded origin of turtles exploding mud off velvet bottoms to hunt in shallows. One less mystery to solve. Reeds and stones swell with damp spirits. A sunburnt stump protrudes uncontested, a tempered buoy claiming place. Splatter of slime more than blessings. Any undulation whether by children’s frolic or bow’s wake, collapse against the shore, never disappear. Castaways, grandiose with simplicity. What harbingers promenade the next wave’s edge? Crave to caress the fresh wrinkle? The calm cartography ignores wind. I dare not blink and miss a flight or flee. As relativity, without demands, the ripples pin themselves to their lake’s inland legacy, content with glimmering reflections on water, strumming beneath dock’s bright planks. Muted, I gaze west, where this day escapes without me. West, into something like water.
Just Hold Your Breath
Christmas morning. Santa had delivered
my first wish – a set of drums.
A tom-tom’s tantrum and high-hat
to bash prescribed quiet
in my grandparents’ farmhouse.
Grandmother’s thin lips tremble
when she scolds me
about the drum set’s noise.
My mother snatched up
the loudest components –
snare and cymbal put away
in the closet so not to crash
the metal disc or rat-a-tat
the tight drum. My pounding
disturbed granddaddy’s sleep.
Already called in, his doctor
had diagnosed Papa’s cancer –
but his non-stop hiccups stumped
all: their tectonic rhythm,
a metronome clocking seconds,
click track all day, all night.
A barber friend made a final visit
last week to trim his long silver hair.
Papa had requested one more
Christmas at the homeplace.
As the attendants wheeled him out,
he motioned me over.
Do you like what
Santa brought you?
Yes, sir.
Papa, just hold your breath
and hiccups go away!
He smiled rubbing my crewcut.
Attendants counted off and hoisted
the silver gurney across the gravel drive.
Finding My Sonnet
Senses escape us by flecking youth stage by stage like a full-moon spills across sea. Lends mood and music to the crimson phase: its sonata's visceral entropy. Senses reveal us, naked by degree: corporeal vows and psalms must bless us. Allow our hollows to stand full and free as grim reaping waits silent and messy. Why should my next breath slander discontent? Witnesses march beside blind bystanders down the lane toward their joy or lament. Confess in stanzas while each foot wanders. Dawn's lyric offers us fresh peach and blue, or tinges senses with yesterday's hues.
After the Dance-Off
I’m gonna wait till the stars come out and see them twinkle in your eyes
- Wilson Picket, The Midnight Hour
The judges dismissed us with a slight shrug. We run to the car – you in saddle shoes, me in brown bucs. Other exhausted contestants trudge to cars to drive home. A few stag angels vanish into sheltering moonlight. Webs of ivy shiver on a white-washed fence, reveal the snare. A breath of nothingness never replicated, like dandelions spilling their magic on wind. Also-rans, we inhale without heartache. I smile, surefooted, eager to recite consolations like thunder. You want to skip forward to another second: simplicities spill in verses. Our swirl tonight convinces you I can never love you more than I love you now. No chivalrous chatter, only the charmed kiss we live for, magic strung in your necklace of stars. We whirl innocence, like the bold grasp when you twirled me against the skillful dancers – eager to mimic with a new step. Now, after your brave reel, we gasp in our midnight hour.
Sam Barbee has a new collection, Apertures of Voluptuous Force (2022, RedhawkPublishing). He has three previous poetry collections, including That Rain We Needed (2016, Press 53), which was a nominee for the Roanoke-Chowan Award as one of North Carolina’s best poetry collections of 2016; and is a two-time Pushcart nominee.
His poems have appeared recently in Salvation South, Poetry South, Literary Yard, Asheville Poetry Review, and Adelaide Literary Magazine, among others; plus on-line journals American Diversity Report, Verse Virtual, The Voices Project, and Medusa’s Kitchen.
