By Thomas Page
There’s something comfortable in what the Modernist hated—
The risk of routine settling fauve motions into mechanics–
That define the human part of the spirit
The need for consistency in each experienced sunrise
That sets the stage for the actions most desired by the critics
The permanent fourth wall that looks at the back of your head
That does not need to be melodramatized with bloody eyes
Or cast in fantastic displays of aquapaint or gels
That can truly be what it’s meant to be
Which can appreciate the fantasy of the art on the wall seen in the museums
When we want to vacation from the consistency of the rising sun
To find a more spiritual plane beyond the human.
